Fellini's semiautobiographical nostalgia piece is an acerbicly affectionate reverie about the malaise and tumult of young idlers who attempt to outgrow their oblivions of true identities, and a caressing gaze into his self-liberation from the stifling enclosure of a cultural past
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兩百年前殖民母國不曾有人去信予Antonio Di Benedetto筆下的地方法官;兩百年後中央政府也不曾有人去信予馬奎斯筆下的上校兩百年前的法官在自掘己埋骨的官僚系統裡接受了自己早已命定客死異地;兩百年後的上校最終意識到:三百多年來的殖民史只不過是屎的歷史-而他自己武庚纪第三季就是這份歷史的禮物