非常迷影向的成人恐怖A24说着与原剧本无关的《乌克兰6一12XXⅩ》麦格芬就粗暴简单的致敬一场不再有海斯法典限制的刀入戏;进了地下室理所当然就该《猛犸敢死队》了只不过来了个猎杀关系的倒装平行蒙太奇和双格画面的同步使用以及毫无剧情和美学意义的频闪剪辑母亲とが话しています免费加上黑白电视里宣教所带来的理性蒙太奇完全实现了片中摄影师所言我们要拍一部有艺术追求的nice dirty film.
3.5. Rewatch. In retrospect, the more interesting question seems to be the extent of continuity (especially in terms of the portrayal of "heroic" characters) between this and Rossellini's earlier fascist propaganda films. The whitewashing of Italy's involvement in WW2 (and of Badoglio no less) also stands out, though the choice of a Communist as one of the martyred saints is also intriguing.