81超乎想象地复刻了村上春树后期作品的情绪类型将多部短片汇总改编的产物风格把握甚至好过那些忠诚照章的翻拍我仿佛就是在看一本会动的村上春树了语种在这里毫不违和(一方面因为村上文字语言本身就西化)可见台词设计有多贴合故事语境了抖阴特别想提出对白中的“斟酌、礼貌和不冒犯”感非常舒服基本是「老公总是直接进入」一节决定打到满分收尾给每个人一个出口这温柔得很“…If we happen to lose our lives in the process.we will gain no one’s sympathy.And even if we manage to defeat it,no one will praise us…”这段让我觉得涵盖了我们所有人心里的那场坚持或者叫执念不都如此吗
Bardem gives a monosyllabic performance of few words and much overwrought hysteria. A great chunk of the running time is devoted to dysfunctional suffering and passive facial grimaces. After an hour of this tedium, you stop worrying about where this disaster is going, or if it’s going anywhere at all. In the end credits, 28 producers are listed for an 85-minute film that doesn’t appear to have even had one.